More exhibition than theatre, Anne Boleyn the Musical is a fun outing for English history buffs who aren’t too rigid about historical nuance or anachronism a ...

It appears I was in good company going into this show – a director’s note from Lisa Peterson in the production’s programme ...

This is the third work written by young playwright, Samuel Winner, and forms part of the 2025 Camden Fringe offering. It is ...

The Immersive Movie Musical, I wasn’t entirely sure what to expect, but I certainly wasn’t disappointed. From the moment we ...

A deft and unassuming story of medical negligence, gaslighting and pain, Anatomy of Pain is a well-written and slickly ...

This feels like a story that has been told before, even if the marketing for the show insists that it hasn’t: Mozart (Jack ...

Phillip Ridley’s infamously controversial Ghost From a Perfect Place first premiered at the Hampstead Theatre in 1994, ...

It has been 20 years since the Birmingham Stage Company first performed the classic children’s book series Horrible Histories ...

Lost Lear is a staggeringly empathetic response to dementia, maternity and fractured relationships. Dan Colley’s new play ...

A two-hander takedown of the radically unexciting governance of the modern Labour Party. Penned by Daniel Patten and Sol ...

An attempt to find a middle ground in the assault on Gaza, a tall task that results in a show that does not come close to the ...

Yousef would like to talk to you. He is a Palestinian, but really, he wants to talk about his kids. This unconventional play ...