Struggling to keep up with the latest releases? Here’s a look at what’s releasing in theatres across languages. A retired tornado chaser and meteorologist is persuaded to return to Oklahoma to work ...

Aishwarya Rai Bachchan won the Miss World 1994 pageant, and 30 years later, her beauty still sings. In director Mani Ratnam’s adaptation of the beloved Ponniyin Selvan novels, the story is anchored by ...

‘The Iron Claw’ was the signature move of the Von Erichs, the legendary family of professional wrestlers who rose to stardom in the Eighties and went on to occupy pride of place in the WWE Hall of ...

The year is 2066. An air taxi picks me up from a cardio-reparation chamber in Mars; my ailing 80-year-old body settles in for the hour-long ride home. I swipe the oxygen to summon a transparent plasma ...

Last seen together in the 2021 horror comedy Roohi, Rajkummar Rao and Janhvi Kapoor have their second collaboration in Sharan Sharma’s romantic sports drama Mr. & Mrs. Mahi. They play a couple with a ...

This is to say that the elements to make for a compelling crime drama are all in place; the problem, however, is that the writing cannot hold the weight of these elements, far less coalesce them to ...

Rahul, heir to the Raichand dynasty, visits Delhi’s crowded Chandni Chowk neighbourhood, where he sees the love of his life, Anjali, for the first time. She is dancing on the street, without ...

I’ve been worried for myself lately. I haven’t been reacting to bad movies the way I used to. It’s mostly a mild mix of submission and sarcasm. A few sighs here, a few puns there – and I’m done. But ...

The fifth Mad Max movie tells Furiosa’s story and makes you want to re-watch Fury Road. That seed is a reminder of Furiosa’s legacy and it also pushes her to develop the kind of resilience that nature ...

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An unsettling moment — often a good marker in the genre — in Aranmanai 4 comes on early. A young girl in Bengal becomes the vessel of an evil, amphibian spirit (do with that description what you will) ...

In Hari’s newest film, the violent Rathnam, Priya Bhavani Shankar’s Mallika casually drops a rather philosophical line. “There is no definition for good and bad,” she says, as she realises that the ...