A traveling photographer has decided to stay in Minneapolis to care for the hundreds of artworks, objects, and messages left ...

At the New York Historical, an exhibition reminds us that the sari is a living art form, an heirloom, a document, and a ...

The announcement follows new revelations about sex offender's ties to the school in the latest release of Epstein files.

The first head of Accessible Programs at the National Gallery of Art tells us about her path and the future of museum ...

Left: Thomas Gainsborough, “Sarah Hodges, Later Lady Innes” (c. 1759), oil on canvas (photo Michael Bodycomb); right: Thomas Gainsborough, “Mary, Countess Howe” (1763–64), oil on canvas (© Historic ...

Painted during summer trips to the Channel coast, Seurat intended his seascapes to “cleanse one’s eyes of the days spent in ...

A Berlin journal’s false leftism, Egyptian blue paint at Pompeii, looting at the Sudan National Museum, and how can artists get gallery representation?

The US and Israel target another glorious palace in Iran, Art Basel Qatar's complicity in anti-LGBTQ policies, the problem with art awards, and much more.

A new display at the NY Historical traces the impact of the largest legal organization for low-income individuals in the United States.

Her practice was one of embodied noticing — exploring, feeling out, or reaching longingly for a Southern architectural vernacular.

By draping the tattered banner of feminism and anti-racism over state machinery, a Berlin publication parrots liberal talking points that demonize the Palestinian cause.

By draping the tattered banner of feminism and anti-racism over state machinery, a Berlin publication parrots liberal talking points that demonize the Palestinian cause.