Steven Spielberg’s next movie is already finished filming, but it’s still mostly a mystery. The film is expected to be a sci-fi story, and it’s based on an idea Spielberg came up with himself.
SPOILER ALERT: This article discusses the plot and ending of “Presence,” now playing in theaters. As with many ghost stories, the presence in “Presence” has a good reason to haunt its house. After ...
KPRC 2's Gage Goulding sits down with the Discovery Channel for the second season of "In The Eye Of The Storm." 9 hours ago KPRC 2’s Gage Goulding to recap award-winning Derecho coverage on ...
Steven Spielberg and screenwriter David Koepp share one of Hollywood's most enduring and successful creative partnerships, spanning decades and numerous blockbusters. Their extensive collaboration ...
In 1999, there was a film released about a child who sees ghosts that was a massive hit. Five weeks after it came out, “Stir of Echoes” was released. “There’s no way that ‘The Sixth Sense’ wasn’t ...
In 1999 “The Sixth Sense,” a spooky-ooky movie involving ghosts and a freaky little kid who sees them, opened theatrically and quickly became a cultural sensation and a box office juggernaut. It would ...
In 1989, both Steven Soderbergh and “Presence” screenwriter David Koepp had movies at the Sundance Film Festival. While the two didn’t meet that year — Koepp was not in attendance for his “Bad ...
Updating the themes of The Conversation and Blow Out for the pandemic era, 2022’s Kimi, Steven Soderbergh’s thriller about the panoptic world of voice assistants, marked the director’s first realized ...
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David Koepp is Hollywood's go-to scribe. He's back with a fresh start for 'Jurassic World Rebirth'
An eyeball, big, yellowish, distinctly inhuman, stares raptly between wooden slats, part of a large crate. The eye darts from side to side quickly, alert as hell. So begins David Koepp’s script to ...
An eyeball, big, yellowish, distinctly inhuman, stares raptly between wooden slats, part of a large crate. The eye darts from side to side quickly, alert as hell. So begins David Koepp’s script to ...
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