"This is our fifth movie together that he's directed, and 10th or 12th that we've done that he produced. And I'll say it's the most intensive and scrupulous I've ever seen him," Koepp says. "And he's ...
EXCLUSIVE: After bringing Michael Crichton's theme park vision to the screen scripting 1993's Jurassic Park and two sequels, screenwriter David Koepp is looking to tackle another one. Deadline hears ...
Add Yahoo as a preferred source to see more of our stories on Google. David Koepp, seen at the 2015 premiere of "Mortdecai" in Los Angeles, wrote the novel and screenplay for "Cold Storage." File ...
As Hollywood's most successful screenwriter, David Koepp is used to the art of adaptation. He's adapted novels (like Michael Crichton's "Jurassic Park," Richard Matheson's "Stir of Echoes" and a pair ...
Add Yahoo as a preferred source to see more of our stories on Google. It’s hard to run a successful theme park if the attractions keep killing the guests. You just can’t get people to come back ...
Koepp, who has plenty of experience adapting Michael Crichton’s work for the big screen, is going back to the source for the robot rebellion pic. According to Deadline, a “major filmmaker’ is circling ...
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David Koepp on Why It Took Him Almost 30 Years to Return to the ‘Jurassic Park' Franchise He Helped Create
It's been 28 years since David Koepp wrote a screenplay about dinosaurs. As you probably know, Koepp was the screenwriter (along with author Michael Crichton) for Steven Spielberg's original hit ...
Steven Spielberg and screenwriter David Koepp have a long history together. Koepp wrote the scripts for Spielberg's 1990s films "Jurassic Park" and "The Lost World: Jurassic Park," as well as ...
“Disclosure Day” is upon us. Steven Spielberg’s latest, which follows a whistleblower (Josh O’Connor) and a TV weatherwoman (Emily Blunt) on a desperate quest to expose the truth about ...
David Koepp writes, and now directs, superior B-movies. This is an admirable and tough-to-master skill given how few major movie studios are willing to take chances on films with lower budgets that ...
It’s hard to run a successful theme park if the attractions keep killing the guests. You just can’t get people to come back through your gates if they’re dead. But that concept can clearly still work ...
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