This is the brief and unexpected opening of Celine Song’s Materialists, a prologue that announces a certain loftiness in the film’s premise. Or in spite of it, as a sudden cut flings us into the classic opener of many a millennial rom-com: the cosmopolitan heroine at her vanity,

How does one actually choose between Chris Evans and Pedro Pascal? Well, fortunately, it's a choice most of us won't have to make in life. But it's exactly what Dakota Johnson must do in "Materialists.

By this metric alone, Celine Song’s “Materialists” is something else entirely. Song’s characters tell us bluntly what their salary is, or how much their apartment costs. Economic reality, in fact, drives the narrative.