"Me and Frost will start jamming again and having fun, and see what happens for a new record," Satyricon leader Satyr told Noisecreep while preparing for the band's final U.S. tour in support of 'The ...

On Friday, May 25th, Norwegian black metal band Satyricon hit New York City's Gramercy Theatre for a sold-out show, and it was likely the last time that will happen. Due to Visa complications, it's ...

Since Satyricon debuted with Dark Medieval Times in 1994, they've been constant innovators of the genre they helped give rise to as part of the early Norwegian black metal scene. Just two years later, ...

If you’ve ever managed to catch Anthrax over the years, one person that likely grabbed your attention was bassist Frank Bello. The dude’s one hell of a player, sure, but the thing that I always ...

Satyricon‘s discography can be split into two eras. First, and probably favorite among longtime fans, was their definitive age — what eventually led to the mid-’90s trinity of Dark Medieval Times, The ...

It’s hard to overstate the influence of the Norwegian band Satyricon on the world’s extreme heavy metal scene. Its tenacity alone is amazing — the core of the band, frontman/songwriter Satyr and ...

Below is the full Q&A with Frost that provided the quotes for our feature story on Satyricon; read that article here first. Also, read the full Q&A with Dani Filth from Cradle of Filth, tourmates with ...

We’ll send you a myFT Daily Digest email rounding up the latest Visual Arts news every morning. ‘Vampire’ (1895) by Edvard Munch A rumbling bassline lures me into a pitch-black chamber on the 10th ...

The Munch Museum in Oslo, Norway — like, the actual, officially official museum dedicated to Edvard Munch — has announced that they’re collaborating with Satyricon — like, the actual, officially ...

Add Yahoo as a preferred source to see more of our stories on Google. Anthrax and Satyricon playing live in 2019. Anthrax bassist Frank Bello will play with Satyricon during their upcoming European ...

Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. A rumbling bassline lures me into a pitch-black chamber on the 10th floor of Oslo’s Edvard Munch museum. Inside ...